![]() The only reason I do not use this board now is because the sensor alignment for my pitch-bend wheel is off and it hinders what I play when creating music. The only board I know that offers this is Nektar’s Panorama series. Because of this, I am able to automate any parameter I come across while producing and mixing music. I love them because they are infinite not having a start and stop point. The other thing I wish I can salvage from this keyboard is the rotary knobs. ![]() Without having to go back and forth in between my keyboard and computer, I can play, stop, rewind, fast forward, cycle, and record right from my keyboard. If you wanted to control another track you would have to reprogram it to do so. The faders are nice to have, but they are limited to being programmed to control one track. I now use a Nektar Impact controller and I wish I could take the keys of my Axiom and put them on the Nektar controller! I love the feel of playing a real piano no matter what instrument I’m actually playing. The thing I like best about this keyboard is the semi-weighted keys. There’s also a modulation wheel and pitch-bend controller. Like many boards this size, the Axiom 49 has nine faders, and rotary knobs, and eight soft drum pads. The Axiom 49 is very sturdy weighing six pounds. I also would use the board to control basic functions within Logic. This board also has faders and knobs that useful for setting volumes or automation. Before I bought the Maschine hardware, I also used the Axiom 49 to program my drums and different instruments I created using vocal samples I recorded. During its time of service, I used this controller for everything from school projects, to commercial productions, and a lot of practicing, all within Logic Pro, Maschine, or a combination of the two. It served it’s purpose well and though I do not have it hooked up to use in my studio anymore, it is still capable of getting the job done should I need it again. The Axiom was my second MIDI keyboard controller. I’ve seen many people from bedroom producers to long-time professionals utilize this controller in their studio, and I definitely understand, and agree, with their weapon of choice. Producers who are skilled in playing piano gravitate toward this controller for the semi-weighted keys alone. I am new to audio interfaces (and MIDI) and I am sure that I am committing some basic mistake here, but I would certainly welcome some suggestions.M-Audio’s Axiom 49 MIDI keyboard controller is a great board! In my opinion, it’s probably one of the best out there. Likewise, Test Setup in Audio MIDI Setup does nothing. I have tried changing the channel on the CODE49 with no improvement. However, nothing seems to be coming through? I would expect that pressing a key on the CODE49 would make (at least) the MIDI data LED on the Scarlett flash, but the only time I see any light there is when I power the CODE49 on. The CODE49 (which has been updated to the latest firmware) is powered externally and connected from MIDI out to MIDI in on the Scarlett. I have connected my devices as shown here: MIDI Setup with a Kenton MIDI Thru-5 between the Scarlett and the synths. I would like to control the synths (and a DAW) using a M-Audio CODE49 with the Scarlett acting as a hub. The Scarlett gets audio from a Korg Volca Mix, and is connected to a M1 Mac mini. I have just started out with my Scarlett 8i6 and a couple of small Korg synths.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |